
Today’s posting comes to El from the notes of a friend studying at the local community college. Enjoy!
Prof.
Ludwig Von Vonerheisterdunnnnnnn
Intermediate
Logic I206
Class
7
A Comedy Proof
As we had previously remarked there
is the most basic of all jokes: the setup and punch. The simplest of these
would be a pure setup, an object that is both funny and alive, i.e. that comedy
standby, the man (nee “everyman” cf. Chaucer, Wordsworth, et. al.). And a
punch, a verb, something again funny, such as a fall, which is always
hilarious, and an object such as something from everyday
life—remembering, that the heart of comedy is a true situation (“Ha!”
guffaws the audience, and elbows each other in the side, “That is so true!”)
the joke in abstract form would go thusly:
The man falls on the
banana peel.
Your
mind realizes the comedy of the situation and is involuntarily brought to
spasmodic reactivity: a laugh issues from your mouth uncontrolled. This is the
idea and the abstract, but the reality is less Platonic. You have heard this
one before.
Thus our discourse moves to
analysis. That which is more specific is funnier. The more unique, the greater
the identification of “everyman” with the situation which is not his own.
The fat man falls on
the slippery banana peel.
Thus
humor grows in our bellies. But, alas, alack, and alderman and the community
pig roast forcing a hand into yours while you’re just trying to have a little
bit off off-diet pork, not that your doctor would know, unless that’s him in
the corner, the bastard, following you to the pig roast and now the alderman is
backing you into the corner with hopes of reelection that forces you RIGHT NEXT
TO THE PHYSICIAN dripping bit of meat dangling from your lips that you then
suck in so quickly to your gullet that you choke, collapse, and efforts to
contrary failing, YOU DIE—all because you have heard this one too.
For
the jaded comic audience, those in the late teen years and collegial
organizations, the inversion is the solution. The upending of the expected into
the unexpected. You know a = b in a strict sense, and yet b = a is so shocking,
so unnerving to what you believed to be your fixed knowledge of everything,
that you reel back in glad distress at the news that yes your inner child says there is more to the
world than what I have witnessed thus.
The banana peel falls
on the fat man.
It
is madness. Simply madness. Once the mind accepts that bananas are capable of
walking (cf. Family Circus and the short-lived Brady Bunch Saturday morning
cartoon, et. al.) and thus slipping and falling, wait, wait, yes, this is an
opportunity for the powerful addition of that comedic element: the tag.
The banana peel falls
on the fat man—and can’t get up!
The
exclamation point indicates the rising tension in our voices and hearts as we
realize, not only has the situation been turned on our head, but that we
have heard this one before and that
is what is brining joy to our plexuses.
Why, it is from that TV commercial that we have shared, if we are of a certain
age, in which the old woman hilariously falls to the floor only to discover,
she can’t get up! Oh to be reminded of that at such an unexpected time when our
minds are filled with considerations of banana locomotion and would such a
banana have feet? Is it a normal banana size? Or is it much larger than a man,
say the size of a normal man in relation to a normal banana? A monster tropical
fruit terrorizing the town—good God man, it’s accidental slip on a man is
the least of our problems. This thing has gone amok! We must summon aid,
wait…wait…it can’t get up. It is down, thrashing, crying, wailing at the pain
of existence itself, and it cannot get…
Our
hearts are glad and then sad. We know that we have heard this we will not know
where to turn next time it is told. We will cry a little. Turn our heads to
hide the tears. I know the giant, slippery banana can’t get up. Stop
reminding me! So we turn to the last bend
of the comedy equation. The way in which all remains new despite its age: the
double inversion with a twist. By upending our expectations of the inversion
(so common in our life until we turned twenty one and had to get a real job and
Dad threw us out of the house for smoking a little weed, such a little bit of
weed, like he never did anything wrong himself, the hypocrite. As if he knew
better. And yet, we find a little bit more of him in ourselves everyday, don’t
we? Who is the hypocrite? Where is the weed?) the joke turns in on itself like
some tattoo of snakes eating their own tails that we could imagine Zena, the
well known warrior princess, having on her arm all Gothic and shit.
And
so the double inversion, the trick of knowing that you know that I know that we
know you know.
The fat man slips on
the banana peel…
And
the twist!
and everyone reveals
their genitals!
And
thus, dear reader, we have proven why Jimmy Kimmel is on TV.